Spanish Cinema against Itself: Cosmopolitanism, Experimentation, Militancy
ISBN: 9780253046345
Platform/Publisher: JSTOR / Indiana University Press
Digital rights: Users: unlimited; Printing: chapter; Download: chapter



Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s--with the work of Luis Buñuel and Salvador Dalí, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo--through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.


Steven Marsh is Professor of Spanish Film and Cultural Studies at the University of Illinois at Chicago. He is author of Popular Spanish Film Under Franco: Comedy and the Weakening of the State and editor (with Parvati Nair) of Gender and Spanish Cinema .

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