 | George Santayana''s Marginalia, A Critical Selection: Book Two, McCord--Zeller A selection of Santayana's notes in the margins of other authors' works that sheds light on his thought, art, and life. In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by some reader's hand in the margins, may be more interesting than the text." Santayana himself was an inveterate maker of notes in the margins of his books, writing (although neatly, never scrawling) comments that illuminate, contest, or interestingly expand the author's thought. These volumes offer a selection of Santayana's marginalia, transcribed from books in his personal library. These notes give the reader an unusual perspective on Santayana's life and work. He is by turns critical (often), approving (seldom), literary slangy, frivolous, and even spiteful. The notes show his humor, his occasional outcry at a writer's folly, his concern for the niceties of English prose and the placing of Greek accent marks. These two volumes list alphabetically by author all the books extant that belonged to Santayana, reproducing a selection of his annotations intended to be of use to the reader or student of Santayana's thought, his art, and his life. Santayana, often living in solitude, spent a great deal of his time talking to, and talking back to, a wonderful miscellany of writers, from Spinoza to Kant to J. S. Mill to Bertrand Russell. These notes document those conversations. A gentle philosopher-poet, born and reared in Spain, educated at Harvard University and later professor of philosophy there, George Santayana resided in England, France, and Italy after 1914. At the beginning of World War II, he entered the nursing home in Rome managed by nuns known as the Blue Sisters and remained there until his death. His last book, The Poet's Testament (1953), contains a few unpublished lyrics, several translations, and two plays in blank verse. The title comes from the poem read at his funeral, which begins: "I give back to the earth what the earth gave/All to the furrow, nothing to the grave." Santayana wrote philosophy in an inimitable prose, enriched with imagery and metaphor. His meanings were always complex and often ironic. In this style, so untypical of the professionalized philosophy common in the English-speaking world during his lifetime, Santayana nevertheless articulated an epistemological critical realism and an ontology of essence and matter that drew the attention and admiration of philosophers and scholars. His first published philosophical book, The Sense of Beauty (1896), was an important contribution in aesthetics, a classic text that is still in use. His multivolume work The Life of Reason expresses his naturalistic philosophy of history and culture. It states the essence of his attitude toward nature, life, and society. Scepticism and Animal Faith (1923) presents his theory of knowledge and also serves as an introduction to his system of philosophy, Realms of Being (1927--40). The titles of the separate volumes of this remarkable work, now out of print, reveal the lineaments of his system: Realm of Essence (1927), Realm of Matter (1930), Realm of Truth (1937), and Realm of Spirit (1940). His ideas were "popularized" in his only novel, The Last Puritan, which became a surprise bestseller overnight. According to the New York Times, "He came into a changing American scene with a whole group of concepts that enormously enriched our thinking. He gave a moving vitality to what had often been obscure abstractions . . . he made the whole relationship of reason and beauty, each to the other, come alive and stay alive." Although Santayana's Complete Poems (1975) is out of print, several volumes of his poetry are available and are listed below. Publication of The Complete Works of George Santayana, under the general editorship of Herman J. Saatkamp, Jr., is in progress. Conforming to the guidelines of a critical edition, The Complete Works is a long-range multivolume project of which a few volumes have already appeared to critical acclaim. (Bowker Author Biography) |
