Frankly, My Dear: @quot;Gone with the Wind@quot; Revisited
ISBN: 9780300155655
Platform/Publisher: JSTOR / Yale University Press
Digital rights: Users: unlimited; Printing: chapter; Download: chapter
Subjects: Gone with the wind (Motion picture); Mitchell Margaret 1900–1949. Gone with the wind;

In time for the 70th anniversary of the film version, author and movie critic Haskell (Holding My Own in No Man's Land) brings a scholar's rigor to her loving history of our "American Bible," Gone With the Wind. Vivid profiles of author Margaret Mitchell, starlet Vivien Leigh, and film producer David Selznick re-humanize the work, now known more for its epic grandeur, iconic moments and controversial politics. Haskell draws thoughtful parallels between Mitchell and her protagonist, Scarlett O'Hara, and her affection for these women drives a narrative that gets occasionally bogged down in film production minutiae. Haskell falters while trying to defend Mitchell's dialog and gender politics, even going so far as to imply that she understands Mitchell and O'Hara in a way that other critics do not (Roger Ebert, for instance). Haskell also highlights the impact of the film on popular culture, but doesn't bring anything new to the discussion of America's fascination. Though perhaps too finely focused for casual readers, this sincere, detailed celebration should interest long-time fans and students. (Mar.) Copyright 2009 Reed Business Information.


Molly Haskell is a writer and film critic. She has lectured widely on the role of women in film and is the author of From Reverence to Rape: The Treatment of Women in the Movies . She lives in New York City.
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