![]() | The Field of Imagination: Thomas Paine and Eighteenth-Century Poetry Subjects: Paine Thomas 1737–1809 -- Criticism and interpretation; Paine Thomas 1737–1809 -- Literary style; Paine Thomas 1737–1809 -- Influence; American poetry -- 18th century -- History and criticism; Political poetry American -- History and criticism; Epi; One of America's Founding Fathers, Thomas Paine is best remembered as the pamphleteer who inspired the American Revolution. Yet few also know him as an eighteenth-century poet of considerable repute. In The Field of Imagination, Scott Cleary offers the first book on Paine's poetry, exploring how poetry written both by and about Paine is central to understanding his development as a political theorist. Despite his claim in The Age of Reason that he was abandoning poetry because it led too much into the "field of imagination," Paine never completely left poetry behind. He took advantage of his position as editor of the Pennsylvania Magazine to situate his poetry in relation to the magazine's tacit support of American independence. He drew on two British poets, James Thomson and Charles Churchill, to provide revealing epigraphs for his major early works in support of that independence, and in turn he himself became an influence on early American poets such as Joel Barlow and Philip Freneau. Paine's poetry has until now been largely relegated to the status of scholarly curiosity. But whether through his own poetry, his thoughts on the place and function of poetry in the Age of Reason, or his deep influence on the poetry of the early American republic, Paine's involvement in poetical craft provides a lens onto the unique and tempestuous literary culture of the eighteenth century. Scott M. Cleary is Associate Professor of English at Iona College and coeditor of New Directions in Thomas Paine Studies. |
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