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| Afterimages of Gilles Deleuze’s Film Philosophy
ISBN: 9780816670727
Platform/Publisher: JSTOR / University of Minnesota Press
Digital rights: Users: unlimited; Printing: chapter; Download: chapter
Subjects: Motion pictures -- Philosophy; Deleuze Gilles 1925–1995 -- Criticism and interpretation;
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate DeleuzeOCOs thought.The first new collection of critical studies on DeleuzeOCOs cinema writings in nearly a decade, Afterimages of Gilles DeleuzeOCOs Film Philosophy provides original essays that evaluate the continuing significance of DeleuzeOCOs film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research. Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; Andris Bilint Kovics, EAtvAs Lorind U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara." |
