Indians on Display: Global Commodification of Native America in Performance, Art, and Museums
ISBN: 9781315426815
Platform/Publisher: Taylor & Francis / Routledge
Digital rights: Users: Unlimited; Printing: Unlimited; Download: Unlimited
Subjects: Social Sciences; Anthropology;

Even as their nations and cultures were being destroyed by colonial expansion across the continent, American Indians became a form of entertainment, sometimes dangerous and violent, sometimes primitive and noble. Creating a fictional wild west, entrepreneurs then exported it around the world. Exhibitions by George Catlin, paintings by Charles King, and Wild West shows by Buffalo Bill Cody were viewed by millions worldwide. Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how this version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience. He then calls for a rewriting of the history of the American west, one devoid of minstrelsy and racist pageantry, and honoring the contemporary cultural and artistic visions of people whose ancestors were shattered by American expansionism.


He is Distinguished Professor of Communications, College of Communications Scholar and Research Professor of Communications, Sociology and Humanities at the University of Illinois, Urbana-Champaign. He won the Charles Cooley Award from the Society for the Study of Symbolic Interaction in 1988. In 1997 he was awarded the George Herbert Mead Award from the Society for the Study of Symbolic Interaction.

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