 | Enlightening Romanticism, Romancing the Enlightenment: British Novels from 1750 to 1832 Subjects: Critical Concepts; Genre; History and Politics; Modern Critical Approaches; Culture; Area Studies; Language & Literature; The Sublime; Picturesque; Satire and Parody; Revolution; New Historicism; The Novel; Empire; Post-Colonialism; Comparative Romanticisms; Canon Formation; Philosophy; The Gothic; Slavery and Abolition; Poetry; Deconstruction; Medicine; Gender and Sexuality; Imagination; Religion and Atheism; Radicalism; Selfhood; Medievalism; Drama; British Studies; Literature; American Revolution and its Influence; Gender Criticism; Women Writers; Literature by Period; As eighteenth-century scholarship expands its range, and disciplinary boundaries such as Enlightenment and Romanticism are challenged, novels published during the rich period from 1750 to 1832 have become a contested site of critical overlap. In this volume, scholars who typically write under the rubric of either the long eighteenth century or Romanticism examine novels often claimed by both scholarly periods. This shared enterprise opens new and rich discussions of novels and novelistic concerns by creating dialogue across scholarly boundaries. Dominant narratives, critical approaches, and methodological assumptions differ in important ways, but these differences reveal a productive tension. Among the issues engaged are the eighteenth-century novel's development of emotional interiority, including theories of melancholia; the troubling heritage of the epistolary novel for the 1790s radical novel; tensions between rationality and romantic affect; issues of aesthetics and politics; and constructions of gender, genre, and race. Rather than positing a simple opposition between an eighteenth-century Enlightenment of rationality, propriety, and progress and a Romantic Period of inspiration, heroic individualism, and sublime emotionality, these essays trace the putatively 'Romantic' in the early 1700s as well as the long legacy of 'Enlightenment' values and ideas well into the nineteenth century. The volume concludes with responses from Patricia Meyer Spacks and Stephen C. Behrendt, who situate the essays and elaborate on the stakes. Miriam L. Wallace is Associate Professor of British and American Literature at New College of Florida. She has published on Jacobin and anti-Jacobin novels, gender and masculinity in Tristram Shandy, Thomas Holcroft and the 1794 Treason Trials, Mary Hays's "female philosopher," and revolutionary elements in Elizabeth Inchbald's A Simple Story. She edited Mary Hays's Memoirs of Emma Courtney and Amelia Alderson Opie's Adeline Mowbray, bound together for the undergraduate classroom (College Publishing). She received an NEH College Teacher Grant in support of her book, Revolutionary Subjects in the English "Jacobin" Novel 1790-1805 (Bucknell UP), and participated in the 2003 NEH Summer Seminar "Rethinking British Romantic Fiction" led by Dr. Stephen Behrendt. She is currently working on forms of treasonous, illicit or suspect speech and writing at the end of the eighteenth century. |
