![]() | Luxury and Modernism: Architecture and the Object in Germany 1900-1933 Subjects: Modern movement (Architecture) -- Germany; Modernism (Aesthetics) -- Germany -- History -- 20th century; Design -- Germany -- History -- 20th century; Technology -- Social aspects -- Germany -- History -- 20th century; Luxury; While modernism was publicized as a fusion of technology, new materials, and rational aesthetics to improve the lives of ordinary people, it was often out of reach to the very masses it purportedly served. Luxury and Modernism shows how luxury was present in bold, literal forms in modern designs--from lavish materials and costly technologies to deluxe buildings and household objects--and in subtler ways as well, such as social milieus and modes of living. In a period of social unrest and extreme wealth disparity between the common worker and those at the helm of capitalist enterprises generating immense profits, architects envisioned modern designs providing solutions for a more equitable future. Robin Schuldenfrei exposes the disconnect between modernism's utopian discourse and its luxury objects and elite architectural commissions. Despite the movement's egalitarian rhetoric, many modern designs addressed the desires of the privileged individual. Yet as Schuldenfrei demonstrates, luxury was integral not only to how modern buildings and objects were designed, manufactured, and sold, but has contributed to modernism's appeal to this day. Robin Schuldenfrei is the Katja and Nicolai Tangen Lecturer in Twentieth-Century Modernism at the Courtauld Institute of Art, University of London. |
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