Artist as Author: Action and Intent in Late-Modernist American Painting
ISBN: 9780226753003
Platform/Publisher: Oxford Academic / University of Chicago Press
Digital rights: Users: Unlimited; Printing: Unlimited; Download: Unlimited
Subjects: History of Art;

With Artist as Author , Christa Noel Robbins provides the first extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the "New York School" as it was consolidated in the 1950s and "Post Painterly Abstraction" in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss. While these are all important characters in the polemical histories of American modernism, this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment.

Christa Noel Robbins is associate professor of art history at the University of Virginia. Her essays and reviews have been published in a variety of outlets, including Art in America , Oxford Art Journal , Art History , and the Journal of Aesthetics and Art Criticism , and she was the advisory editor of North American modernism for the Routledge Encyclopedia of Modernism .

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