 | Sufi Women, Embodiment, and the ‘Self’: Gender in Islamic Ritual Subjects: Arts; Humanities; Social Sciences; Gender Studies - Soc Sci; Theatre & Performance Studies; Religion; Anthropology - Soc Sci; Sociology & Social Policy; Dance; Islam - Religion; Ethnography & Methodology; Gender; Religion; Social & Cultural Anthropology; The Body; Gender Studies; Performance Theory; Religion in Context; Sociology of Religion; This book is an ethnographic case study of Sufi ritual practice and embodied experience amongst female members of the Naqshbandi community. Drawing on fieldwork in Cape Town, South Africa, and Lefke, Cyprus (2013/2014), the author examines women's experiences within a particular performance of Sufi tradition. The focus is on the ritual named hadra, involving the recital of sacred texts, music, and body movement, where the goal is for the individual to reach a state of intimacy with God. The volume considers Sufi practice as a form of embodied cultural behavior, religious identity, and selfhood construction. It explains how Muslim women's participation in hadra ritual life reflects religious and cultural ideas about the body, the body's movement, and embodied selfhood expression within the ritual experience. Sufi Women, Ritual Embodiment and the 'Self' engages with studies in Sufism, symbolic anthropology, ethnography, dance, and somatic studies. Contributing to discussions of religion, gender, and the body, it will be of interest to scholars from anthropology, sociology, religious ritual studies, Sufism and gender studies, and performance studies. Jamila Rodrigues is a dance anthropologist currently working as a postdoctoral fellow at the Okinawa Institute of Science and Technology (OIST). She was awarded a JSPS (Japan Society for the Promotion of Science) fellowship to conduct research on Japanese women and well-being during times of crisis which the International Research Centre will host for Japanese Studies (Nichibunken). |
