D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage , form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage , movie stills, photos, and sketches.
Trinh T. Minh-ha is a filmmaker, multimedia artist, writer, composer, and postcolonial feminist theorist. Her award-winning films--including Night Passage , The Fourth Dimension , A Tale of Love , Shoot for the Contents , Surname Viet Given Name Nam , Naked Spaces - Living Is Round , and Reassemblage --have been shown at film festivals and in museums around the world. She is the author of numerous books, including Elsewhere, Within Here ; Cinema Interval ; Framer Framed ; When the Moon Waxes Red ; and Woman, Native, Other . She is Professor of Gender & Women's Studies, and Rhetoric at the University of California, Berkeley.
