The Deaths of the Author: Reading and Writing in Time
ISBN: 9780822394532
Platform/Publisher: e-Duke Books Scholarly Collection / Duke University Press
Digital rights: Users: unlimited; Printing: unlimited; Download: chapter
Subjects: Gender Studies/ Feminist Theory; Literary Studies Criticism & Theory; Gay & Lesbian Studies/ Queer Theory;

For thirty years the "death of the author" has been a familiar poststructuralist slogan in literary theory, widely understood and much debated as a dismissal of the author, a declaration of the writer's irrelevance to the readers experience. In this concise book, Jane Gallop revitalizes this hackneyed concept by considering not only the abstract theoretical death of the author but also the writer's literal death, as well as other authorial "deaths" such as obsolescence. Through bravura close readings of the influential literary theorists Roland Barthes, Jacques Derrida, Eve Kosofsky Sedgwick, and Gayatri Chakravorty Spivak, she shows that the death of the author is best understood as a relation to temporality, not only for the reader but especially for the writer. Gallop does not just approach the death of the author from the reader's perspective; she also reflects at length on how impending death haunts the writer. By connecting an author's theoretical, literal, and metaphoric deaths, she enables us to take a fuller measure of the moving and unsettling effects of the deaths of the author on readers and writers, and on reading and writing.

Professor of English and Comparative Literature at the University of Wisconsin at Milwaukee, Gallop has been associated with the dissemination of "French feminist" poststructuralist theory in the United States. Anglo-American feminists focused on women's experience and history and on "realistic" images of women in literature. French feminists theorists, on the other hand, explored feminine subjectivity and the use of "woman" in language, philosophy, and psychoanalysis. Anglo-American feminists searched out literary foremothers; French feminists elaborated a utopian and modernist or avant-garde writing of the feminine body and desire. Anglo-American feminists called for women to make themselves "whole"; French feminists theorized a feminine subject who was inescapably split, gloriously multiple, uncontained by a unitary self.

Gallop's second book, The Daughter's Seduction: Feminism and Psychoanalysis (1982), was published shortly after the first translated works of French feminists appeared. Hers was therefore one of the first American feminist overviews of French feminist deconstructive and psychoanalytic theory. As such, it had a significant impact on the way in which the French theorists were read, and it participated in what was becoming a division within the feminist community between those for or against "theory."

All of Gallop's books, even her first, Intersections (1981), strategically engage French theory and questions of sexuality. Typically, Gallop demystifies texts by doing "symptomatic readings" of them, drawing on psychoanalytic and deconstructive methodologies to reveal a work's "perversities"---the contradictions, blind spots, and slips that arise from its rootedness in history and ideological conflicts. She seeks to expose these so as to betray the text's (or author's) interests. Her own work is frequently autobiographical, full of puns and other literary gestures that call into question its claims to knowledge---a process she terms "dephallicization." Gallop has published four books and has been the recipient of several fellowships, including a Guggenheim.

(Bowker Author Biography)


hidden image for function call