Beasts of the Deep : Sea Creatures and Popular Culture
ISBN: 9780861969395
Platform/Publisher: Ebook Central / Indiana University Press
Digital rights: Users: Unlimited; Printing: Limited; Download: 7 Days at a Time
Subjects: Social Science; Science; Science: Zoology;

Beasts of the Deep: Sea Creatures and Popular Culture offers its readers an in-depth and interdisciplinary engagement with the sea and its monstrous inhabitants; through critical readings of folklore, weird fiction, film, music, radio and digital games.

Within the text there are a multitude of convergent critical perspectives used to engage and explore fictional and real monsters of the sea in media and folklore. The collection features chapters from a variety of academic perspectives; post- modernism, psychoanalysis, industrial-organisational analysis, fandom studies, sociology and philosophy are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create the Kraken, mermaids, giant sharks, sea draugrs and even the weird creatures of H.P. Lovecraft.

Beasts of the Deep offers an expansive study of our sea-born fears and anxieties, that are crystallised in a variety of monstrous forms. Repeatedly the chapters in the collection encounter the contemporary relevance of our fears of the sea and its inhabitants - through the dehumanising media depictions of refugees in the Mediterranean to the encroaching ecological disasters of global warming, pollution and the threat of mass marine extinction.


Dr Jon Hackett is a senior lecturer in film and screen media at St Mary's University. His research interests include film and cultural theory, film history and popular music. He is currently working on a monograph with Dr Mark Duffett of Chester University on popular music and monstrosity, to be entitled, inevitably, Scary Monsters. Dr Seán J. Harrington is a lecturer in film and screen media at St Mary's University. His research interests include Lacanian psychoanalysis, animation and popular culture. He has previously published work on animation and psychoanalytic theory and is the author of The Disney Fetish.

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