 | Imperfectionist Aesthetics in Art and Everyday Life Subjects: Arts; Built Environment; Humanities; Language & Literature; Art & Visual Culture; Music; Architecture; Planning; Philosophy; Cultural Studies; Literature; Philosophy of Art & Aesthetics; Theory of Architecture; Urban Design; Aesthetics; Cultural Theory; Music & The Arts; Interdisciplinary Literary Studies; This book presents interdisciplinary research on the aesthetics of perfection and imperfection. Broadening this growing field, it connects the aesthetics of imperfection with issues in areas including philosophy, music, literature, urban environment, architecture, art theory, and cultural studies. The contributors to this volume argue that imperfection has value in being open and inclusive. The aesthetics of imperfection is thus typified by organic, unpolished production and the avoidance of perfect finish, instead representing living and natural change, and opposing the consumerist concern with the flawless and pristine. The chapters are divided into seven thematic sections. After the first section, on imperfection across the arts and culture, the next three parts are on imperfection in the arts of music, visual and theatrical arts, and literature. The second half of this book then switches focus to categories in everyday life, and branches this further into body, self, and the person, and urban environments. Together, the chapters promote a positive ethos of imperfection that furthers individual and social engagement and supports creativity over mere passivity. Imperfectionist Aesthetics in Art and Everyday Life will appeal to a broad range of scholars and advanced students working in philosophical aesthetics, literature, music, urban environment, architecture, art theory, and cultural studies. Peter Cheyne is Associate Professor in British Literature and Culture, Shimane University, Japan and Visiting Fellow in the Department of Philosophy, University of Durham, UK. He is the author of Coleridge's Contemplative Philosophy (2020). Additionally, he is the editor of Coleridge and Contemplation (2017) and co-editor, with Andy Hamilton and Max Paddison, of The Philosophy of Rhythm: Aesthetics, Music, Poetics (2019). |
