 | Street Art and Activism in the Greater Caribbean: Impossible States, Virtual Publics Subjects: Arts; Area Studies; Humanities; Politics & International Relations; Social Sciences; Urban Studies; Politics & the Media; Urban Studies; Art & Visual Culture; American Studies; History; Government; International Politics; Sociology & Social Policy; Contemporary Art; History of Art; Regional Art; Caribbean Studies; Urban History; Urban Politics; Latin American Politics; Urban Sociology; Latin American History; Foregrounding street art in the capital cities of Cuba, Haiti, and Puerto Rico, this book argues that Antillean street artists diagnose the "impossible state" of the arrested present (colonized, occupied, or under dictatorship) while simultaneously imagining liberated futures and fully sovereign states. Jana Evans Braziel launches a comparative study of art, politics, history, urban street cultures, engaged citizenships, and social transformations in three Antillean capital cities--Havana, Cuba; Port-au-Prince, Haiti; and San Juan, Puerto Rico--of the Greater Caribbean. The book includes a photo documentary archive of street art, murals, and installations by key muralists in these cities: Yulier Rodriguez Pérez, "Jerry" Rosembert Moïse, and Colectivo Moriviví (Chachi González Colón, Raysa Rodríguez García, and Salomé Cortés). Braziel offers art historical and geopolitical analyses of the urban street art in their cities of production, underscoring street art as political, economic, and environmental engagements (and not as exclusively aesthetic ones) with urban space and street life. The book will be of interest to scholars working in art history, Caribbean studies, Latin American studies, and urban studies. Jana Evans Braziel is Western College Endowed Professor in the Department of Global and Intercultural Studies at Miami University. |
