A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful: With an Introductory Discourse Concerning Taste; and Several Other Additions ISBN: 9781107360495 Platform/Publisher: Cambridge Core / Cambridge University Press Digital rights:Users: Unlimited; Printing: Unlimited; Download: Unlimited
By the eighteenth century, the term 'sublime' was used to communicate a sense of unfathomable and awe-inspiring greatness, whether in nature or thought. The relationship of sublimity to classical definitions of beauty was much debated, but the first philosopher to portray them as opposing forces was Edmund Burke (1729-97). Originally published in 1757 and reissued here in the revised second edition of 1759, this influential treatise explores the psychological origins of both ideas. Presented as distinct consequences of very separate emotional lineages, beauty and sublimity are traced back through a web of human feelings, from self-preservation instincts to lust. Burke's doctrine of the sublime was to have far-reaching effects. In Britain, it informed perceptions of landscape in art and literature for years to come. Meanwhile, on the continent, Kant regarded Burke as 'the foremost author' in 'the empirical exposition of aesthetic judgments'.
Born in Ireland in 1729, Edmund Burke was an English statesman, author, and orator who is best remembered as a formidable advocate for those who were victims of injustice. He was the son of a Dublin lawyer and had also trained to practice law. In the 1760s, Burke was elected to the House of Commons from the Whig party.
Burke spent most of his career in Parliament as a member of the Royal Opposition, who was not afraid of controversy, as shown by his support for the American Revolution and for Irish/Catholic rights. His best-known work is Reflections on the French Revolution (1790). Some other notable works are On Conciliation with the American Colonies (1775) and Impeachment of Warren Hastings (1788).
