 | Architecture and Affect: Precarious Spaces Subjects: Area Studies; Built Environment; Geography; Humanities; Development Studies Environment Social Work Urban Studies; Cultural Studies; Asian Studies; Architecture; Landscape; Human Geography; History; Asian Studies (General); Architectural History; Theory of Architecture; Landscape and Sustainability; Cultural Geography; Imperial & Colonial History; This book is motivated by two questions: Why do dismissed affective evidence persist as troubling experience or imaginaries? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground--jammed amidst life, things and events. Rather than being apart from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture's uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicised architectural discourse simultaneously grounded and speculative: bridging depth and intuition, thinking and feeling. Lilian Chee is Associate Professor of Architectural Theory and Design at the National University of Singapore, where she co-leads the Research by Design Cluster. Her research revolves around architectural representation, affect theory, feminist politics, and creative practice methods. Her works include award-winning essay film 03-FLATS (2014), recent documentary Objects for Thriving (2022), and a co-edited book Remote Practices (2022). She is leading a Social Sciences Research Council funded research project about home-based labour. She writes on affect, architectural representation and domesticity. |
