@quot;Eric Rohmer''s Film Theory: From @quot;École Scherer@quot; to @quot;Politique des Auteurs@quot;@quot;
ISBN: 9789048537037
Platform/Publisher: JSTOR / Amsterdam University Press
Digital rights: Users: unlimited; Printing: chapter; Download: chapter
Subjects: Performing Arts ; Film Studies ; Art & Art History;

In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism.

Marco Grosoli is an Assistant Lecturer in Film Studies at the University of Kent. He authored the first Italian-language monograph on Béla Tarr, co-edited one book on motion capture technologies and one on Guy Debord's cinema.

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